Ginger Rogers

Ginger Rogers (1911-1995), American motion-picture actor, singer, and dancer, best remembered for her graceful ballroom dancing as the partner of Fred Astaire in classic musical comedies of the 1930s. Born Virginia Katherine McMath in Independence, Missouri, she began dancing professionally at the age of 14 and toured the vaudeville circuit until 1929, when she was cast as the second lead in the popular Broadway musical Top Speed.
She began her film career while still starring on the New York City stage and in 1931 went to Hollywood, where she shot a series of minor comedies and dramas for the Pathé, Paramount, and Radio-Keith-Orpheum (RKO) studios.
Rogers was first matched with Astaire in the 1933 film Flying Down to Rio. Although they danced together in only one scene, their elegance, agility, and obvious chemistry stole the show. Subsequently, RKO paired them in vehicles of their own, including the legendary musicals Top Hat (1935), Swing Time (1936), and Follow The Fleet (1936). Their ten feature films together perfectly exemplified the refined and light-hearted charm of Hollywood’s so-called Golden Age (from about 1920 to about 1950).
Astaire was considered the better dancer of the duo, but Rogers had far greater acting range, as she proved with an Academy Award-winning performance in Kitty Foyle (1940). She was equally effective in the bubbly romantic farce The Major and the Minor (1942).
Rogers appeared regularly on screen throughout the 1940s and 1950s and returned briefly to the Broadway stage in 1965, replacing Carol Channing in Hello Dolly! In later years she made occasional television appearances and served as a fashion consultant for the J.C. Penney stores. Her autobiography, Ginger: My Story, was published in 1991.

Swing Time~Rogers and Astair

Gene Kelly

Screen legend Gene Kelly is best known for dancing through movie musicals of the 1940s and '50s, especially An American in Paris (1951) and Singin' in the Rain (1952).
He got his start on Broadway in the late 1930s, first as a dancer, then as a choreographer and actor. His star turn in My Pal Joey led to a Hollywood contract, and he first appeared in 1942's For Me and My Gal (opposite Judy Garland. Over the next decade he became a major star, thanks especially to musicals: Anchors Aweigh (1945, famous for his scene dancing with Jerry, the cartoon mouse from Tom and Jerry); Take Me Out to the Ball Game (1949); and three movies he made with director Stanley Donen, On the Town (1949), Singin' in the Rain (1952) and It's Always Fair Weather (1955). Buoyant and athletic, Kelly became the screen's most famous dancer since Fred Astaire.
An ambitious perfectionist who produced, choreographed, acted and directed, Kelly won a special Oscar in 1951. Although his career after the mid-1950s fizzled and he never made much of a mark as a dramatic actor, Kelly's place in cinema history is secure because of the innovations he brought to choreography.

Fred Astaire

Fred Astaire (1899-1987), American dancer and actor, known for his graceful, sophisticated dance style and for his musical comedy films. Born Fred Austerlitz in Omaha, Nebraska, Astaire appeared in vaudeville at the age of seven with his sister Adele. From 1917 to 1932 they were a noted Broadway dancing team, appearing in such musicals as Over the Top (1917), Lady Be Good (1925), and Funny Face (1927). After Adele Astaire retired from the stage, Fred Astaire began a career in films. His first film was Dancing Lady (1933). His films with the dancer Ginger Rogers, beginning with Flying Down to Rio (1933), include Roberta (1935), Top Hat (1935), Shall We Dance? (1937), and The Barkleys of Broadway (1949). Astaire and Rogers developed an elegant dance style, noted for its technical excellence and intimacy. Astaire's other films include Easter Parade (1948), with Judy Garland; Daddy Long Legs (1955), with Leslie Caron; Funny Face (1957), with Audrey Hepburn; and Silk Stockings (1957), with Cyd Charisse.
Perhaps the greatest popular dancer of his time, Astaire combined a technical mastery with a sense of ease and good humor. In 1949 his film work was recognized with a special Academy Award. The National Academy of Recording Arts & Sciences recognized Astaire with a posthumous Grammy Lifetime Achievement Award in 1989. His autobiography is titled Steps in Time (1959).

Rita Hayworth

Spanish dancer Eduardo Cansino's daughter Margarita trained as a dancer from early childhood. At age 12, mature-looking Rita joined Eduardo's stage act, in which she was spotted three years later by Fox studio head Winfield R. Sheehan, leading to her first studio contract and film debut at age 16 in Dante's Inferno (1935). Fox dropped her after five small roles, but expert, exploitative promotion by first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her name to Hayworth and approved raising her hairline by electrolysis. After 13 mainly minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star.In person Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage--unfortunately an unhappy one almost from the start--to playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959). From 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's powers; the last few roles in her 60-film career were increasingly small. Almost helpless by 1981, Rita was cared for by daughter Yasmin Khan until her death at age 68.